With the development of the JPEG XS codec device, it is now possible to transmit two 8K video streams simultaneously using a single 10 Gigabit Ethernet cable, leading to a significant reduction in equipment costs.

intoPIX is proud to be part of this incredible DANTE AV product launch using our intoPIX’s ProAV optimized ultra-low-latency and visually lossless J2K technology !

The JPEG XS enabled VICO-4L-XS. This new converter allows 4K XS encoding/decoding at various compression rates, enabling a 12G-SDI 4K conversion to IP, and streaming in compliance to the SMPTE ST-2110 standards.

True Interactive, Live, Instantaneous, Hyper-speed, Remote Production powered by the new JPEG XS low-latency lightweight video compression standard

GTC 2021 4K Demo. The combination of intoPIX FastTICO-XS GPU SDK with Rivermax provides a turnkey solution supporting the new JPEG XS standard.

intoPIX FastTICO-XS SDK now seamlessly integrates with NVIDIA Rivermax SDK and Nvidia Ethernet NICs for Lower Bitrate SMPTE ST 2110 Workflows.

NASA’s Perseverance Mars Rover mission team relies on 4K video collaboration system based in Creston DM NVX AV over IP streaming media devices

Working Remotely, with zero latency, the VAR allows instant and seamless review of multiple cameras. The referee on the field can easily communicate with the video operation room, no matter where they are in the world.

The transport of the broadcasting equipment and the team negatively affect carbon emissions during a competition. Sports production can make significant progress by shifting to remote production.

Jetson is a low-power system and is designed for accelerating machine learning applications at a lower price and with a smaller shape and a very fast GPU.

JPEG XS eases the video transport in live production through the LAN, WAN and CLOUD.

JPEG XS eases the video transport in live production through the LAN, WAN and CLOUD.

A worldwide patent licensing program for JPEG XS based software and hardware solutions

intoPIX has launched its JPEG XS Plugin for Adobe Premiere for video editing and live streaming.

Why not using compression when uncompressed involves unnecessary extra cost !?